As flores do jardim de nossa casa album cover

ISRC

BRSME6900116

As flores do jardim de nossa casa2

Song: AS FLORES DO JARDIM DE NOSSA CASA

Roberto Carlos
unmatchedNot yet matched in the MLC database
Released 1969-01-01

Last verified:

BRSME6900116 is the International Standard Recording Code (ISRC) for the recording "As flores do jardim de nossa casa" by Roberto Carlos, released 1969-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ERASMOS CARLOS, ROBERTO CARLOS.

Format

BRCountry
SMERegistrant
69Year (1969)
00116Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1969):
Last two digits of the reference year (1969). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ERASMOS CARLOSComposer
ROBERTO CARLOSComposer

MLC Song Code

SourcesMusicBrainzMLCCommunity3 sources

Verified on

People also ask

What is the ISRC for "As flores do jardim de nossa casa" by Roberto Carlos?
The ISRC for "As flores do jardim de nossa casa" by Roberto Carlos is BRSME6900116.
Who wrote "As flores do jardim de nossa casa"?
"As flores do jardim de nossa casa" was written by ERASMOS CARLOS, ROBERTO CARLOS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRSME6900116?

BRSME6900116 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "As flores do jardim de nossa casa" by Roberto Carlos. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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