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Influências egípcias album cover

ISRC

BRWMB0601238

Influências egípcias2

Song: INFLUENCIAS EGIPCIAS

Olodum
matched

Last verified:

BRWMB0601238 is the International Standard Recording Code (ISRC) for the recording “Influências egípcias” by Olodum. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ADEMARIO DAS NEVES SILVA.

Format

BRCountry
WMBRegistrant
06Year (2006)
01238Designation
Country:
ISO 3166-1 alpha-2 country code (BR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ADEMARIO DAS NEVES SILVAComposer
LATINO EDITORA MUSICAL LTDA OriginalPublisher
WC MUSIC CORP. RightsAdministratorIPI: 00392888203

Who publishes this song?

LATINO EDITORA MUSICAL LTDAOriginalPublisher
WC MUSIC CORP.RightsAdministrator
IPI: 00392888203

MLC Song Code

I8112G
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Influências egípcias" by Olodum?
The ISRC for "Influências egípcias" by Olodum is BRWMB0601238.
Who wrote "Influências egípcias"?
"Influências egípcias" was written by ADEMARIO DAS NEVES SILVA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BRWMB0601238?

BRWMB0601238 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Influências egípcias” by Olodum. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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