ISRC
LA VIE EN ROSE / É O AMOR
Last verified:
The ISRC for “LA VIE EN ROSE / É O AMOR” by EDUARDO ASSAD SAHÃO MARCELO CELLIGOI, MARCELO CELLIGOI, EDUARDO ASSAD SAHÃO, MARCELO CELLIGOI [FEAT. EDUARDO ASSAD SAHÃO], MARCELO CELLIGOI FEAT. EDUARDO ASSAD SAHÃO is BXM582200037. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
BXM582200037 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LA VIE EN ROSE / É O AMOR” by EDUARDO ASSAD SAHÃO MARCELO CELLIGOI, MARCELO CELLIGOI, EDUARDO ASSAD SAHÃO, MARCELO CELLIGOI [FEAT. EDUARDO ASSAD SAHÃO], MARCELO CELLIGOI FEAT. EDUARDO ASSAD SAHÃO. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
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EDUARDO ASSAD SAHÃO MARCELO CELLIGOI, MARCELO CELLIGOI, MARCELO CELLIGOI,EDUARDO ASSAD SAHÃO, MARCELO CELLIGOI;EDUARDO ASSAD SAHÃO, MARCELO CELLIGOI [FEAT. EDUARDO ASSAD SAHÃO]
BXM582200038EDUARDO ASSAD SAHÃO MARCELO CELLIGOI, MARCELO CELLIGOI, MARCELO CELLIGOI,EDUARDO ASSAD SAHÃO, MARCELO CELLIGOI;EDUARDO ASSAD SAHÃO, MARCELO CELLIGOI FEAT. EDUARDO ASSAD SAHÃO
BXM582200036ANA COPPO;MARCELO CELLIGOI, MARCELO CELLIGOI, MARCELO CELLIGOI,ANA COPPO, MARCELO CELLIGOI FEAT. ANA COPPO
BXM582200040The ISRC for “LA VIE EN ROSE / É O AMOR” by EDUARDO ASSAD SAHÃO MARCELO CELLIGOI, MARCELO CELLIGOI, EDUARDO ASSAD SAHÃO, MARCELO CELLIGOI [FEAT. EDUARDO ASSAD SAHÃO], MARCELO CELLIGOI FEAT. EDUARDO ASSAD SAHÃO is BXM582200037. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
