POBRE DO BENTO album cover

ISRC

BXSUG1600002

POBRE DO BENTO

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Last verified:

BXSUG1600002 is the International Standard Recording Code (ISRC) for the recording "POBRE DO BENTO". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RODOFO DOX LACERDA, SAMUEL SAMUCA.

Format

BXCountry
SUGRegistrant
16Year (2016)
00002Designation
Country:
ISO 3166-1 alpha-2 country code (BX).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

RODOFO DOX LACERDAComposerLyricist
ALTERNETMUSIC LTDA OriginalPublisher0.00%IPI: 00488978952
HEREINAFTER MUSIC SubPublisher100.00%IPI: 00342139682
SAMUEL SAMUCAComposerLyricist
ALTERNETMUSIC LTDA OriginalPublisher0.00%IPI: 00488978952
HEREINAFTER MUSIC SubPublisher100.00%IPI: 00342139682

Who publishes this song?

ALTERNETMUSIC LTDAOriginalPublisher
IPI: 00488978952
HEREINAFTER MUSICSubPublisher
IPI: 00342139682

MLC Song Code

SourcesMLC

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Related

Songwriter profiles

People also ask

What is the ISRC for "POBRE DO BENTO"?
The ISRC for "POBRE DO BENTO" is BXSUG1600002.
Who wrote "POBRE DO BENTO"?
"POBRE DO BENTO" was written by RODOFO DOX LACERDA, SAMUEL SAMUCA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BXSUG1600002?

BXSUG1600002 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "POBRE DO BENTO". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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