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É TARDE DEMAIS album cover

ISRC

BXTRW2500020

É TARDE DEMAIS

Song: E TARDE DEMAIS

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BXTRW2500020 is the International Standard Recording Code (ISRC) for the recording "É TARDE DEMAIS". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LUIZ CARLOS, ELIAS MUNIZ.

Format

BXCountry
TRWRegistrant
25Year (2025)
00020Designation
Country:
ISO 3166-1 alpha-2 country code (BX).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LUIZ CARLOSComposerLyricist
PEERMUSIC DO BRASIL EDIC MUS OriginalPublisher0.00%IPI: 00233738958
SONGS OF PEER, LTD. OriginalPublisher100.00%IPI: 00337211392
ELIAS MUNIZComposerLyricist
PEERMUSIC DO BRASIL EDIC MUS OriginalPublisher0.00%IPI: 00233738958
SONGS OF PEER, LTD. OriginalPublisher100.00%IPI: 00337211392

Who publishes this song?

PEERMUSIC DO BRASIL EDIC MUSOriginalPublisher
IPI: 00233738958
SONGS OF PEER, LTD.OriginalPublisher
IPI: 00337211392
SourcesMLC

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People also ask

What is the ISRC for "É TARDE DEMAIS"?
The ISRC for "É TARDE DEMAIS" is BXTRW2500020.
Who wrote "É TARDE DEMAIS"?
"É TARDE DEMAIS" was written by LUIZ CARLOS, ELIAS MUNIZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC BXTRW2500020?

BXTRW2500020 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "É TARDE DEMAIS". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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