ISRC

CA5A22120012

Medley P’tit train / C’est bon pour le moral / Incendie à Rio / Hey hey Lolita / Ça fait rire les oiseaux

Serge LachapelleRachel Hart
Released 2022-01-07

Last verified:

CA5A22120012 is the International Standard Recording Code (ISRC) for the recording “Medley P’tit train / C’est bon pour le moral / Incendie à Rio / Hey hey Lolita / Ça fait rire les oiseaux by Serge Lachapelle, Rachel Hart, released 2022-01-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CACountry
5A2Registrant
21Year (2021)
20012Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Medley P’tit train / C’est bon pour le moral / Incendie à Rio / Hey hey Lolita / Ça fait rire les oiseaux" by Serge Lachapelle?
The ISRC for "Medley P’tit train / C’est bon pour le moral / Incendie à Rio / Hey hey Lolita / Ça fait rire les oiseaux" by Serge Lachapelle, Rachel Hart is CA5A22120012.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CA5A22120012?

CA5A22120012 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Medley P’tit train / C’est bon pour le moral / Incendie à Rio / Hey hey Lolita / Ça fait rire les oiseaux by Serge Lachapelle, Rachel Hart. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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