SOFTEST HARD, T-PAIN - I’M BLUE album cover

ISRC

CA5KR2259379

SOFTEST HARD, T-PAIN - I’M BLUE

Song: I'M BLUE (WITH T-PAIN)

SOFTEST HARDT-PAIN
matched
Released 2022-07-15

Last verified:

CA5KR2259379 is the International Standard Recording Code (ISRC) for the recording “SOFTEST HARD, T-PAIN - I’M BLUE by SOFTEST HARD, T-PAIN, released 2022-07-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MASSIMO GABUTTI, MAURIZIO LOBINA, KEVIN ZAREMBA, and others.

Format

CACountry
5KRRegistrant
22Year (2022)
59379Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSOFTEST HARD, T-PAIN - I’M BLUE

People also ask

What is the ISRC for "SOFTEST HARD, T-PAIN - I’M BLUE" by SOFTEST HARD?
The ISRC for "SOFTEST HARD, T-PAIN - I’M BLUE" by SOFTEST HARD, T-PAIN is CA5KR2259379.
Who wrote "SOFTEST HARD, T-PAIN - I’M BLUE"?
"SOFTEST HARD, T-PAIN - I’M BLUE" was written by MASSIMO GABUTTI, MAURIZIO LOBINA, KEVIN ZAREMBA, GIANFRANCO RANDONE, KONRAD WISSMANN, MATTHIAS KURPIERS, DELE LADIMEJI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CA5KR2259379?

CA5KR2259379 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SOFTEST HARD, T-PAIN - I’M BLUE by SOFTEST HARD, T-PAIN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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