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KEEP ME WAITING album cover

ISRC

CA5KR2500217

KEEP ME WAITING

CHENDA OLIVVER THE KID HOANGHOANG & CHENDA & OLIVVER THE KID
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CA5KR2500217 is the International Standard Recording Code (ISRC) for the recording “KEEP ME WAITING” by CHENDA OLIVVER THE KID HOANG, HOANG & CHENDA & OLIVVER THE KID. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MIKE HOANG, BRYAN JAMES SAMMIS, JOSHUA SYTEMA.

Format

CACountry
5KRRegistrant
25Year (2025)
00217Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCKEEP ME WAITING
IPIMIKE HOANG

Related

Songwriter profiles

MIKE HOANGIPIBRYAN JAMES SAMMISIPIJOSHUA SYTEMAIPI

People also ask

What is the ISRC for "KEEP ME WAITING" by CHENDA OLIVVER THE KID HOANG?
The ISRC for "KEEP ME WAITING" by CHENDA OLIVVER THE KID HOANG, HOANG & CHENDA & OLIVVER THE KID is CA5KR2500217.
Who wrote "KEEP ME WAITING"?
"KEEP ME WAITING" was written by MIKE HOANG, BRYAN JAMES SAMMIS, JOSHUA SYTEMA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CA5KR2500217?

CA5KR2500217 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “KEEP ME WAITING” by CHENDA OLIVVER THE KID HOANG, HOANG & CHENDA & OLIVVER THE KID. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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