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À la vie, à la mort album cover

ISRC

CAA0Q1112707

À la vie, à la mort2

Song: A LA VIE A LA MORT

TaktikaKRS-OneBuckshot
matched
Released 2011-11-21

Last verified:

CAA0Q1112707 is the International Standard Recording Code (ISRC) for the recording "À la vie, à la mort" by Taktika, KRS-One, Buckshot, released 2011-11-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MAURICE RALPH MICHEL, DESSALINES EROLS.

Format

CACountry
A0QRegistrant
11Year (2011)
12707Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MAURICE RALPH MICHELComposer
DESSALINES EROLSComposer

MLC Song Code

AVBYWP
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

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Songwriter profiles

People also ask

What is the ISRC for "À la vie, à la mort" by Taktika?
The ISRC for "À la vie, à la mort" by Taktika, KRS-One, Buckshot is CAA0Q1112707.
Who wrote "À la vie, à la mort"?
"À la vie, à la mort" was written by MAURICE RALPH MICHEL, DESSALINES EROLS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CAA0Q1112707?

CAA0Q1112707 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "À la vie, à la mort" by Taktika, KRS-One, Buckshot. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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