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Make It Go Away album cover

ISRC

CAA160000010

Make It Go Away2

Song: MAKE IT GO AWAY

Holly Cole
unmatchedNot yet matched in the MLC database
Released 1997-01-01

Last verified:

CAA160000010 is the International Standard Recording Code (ISRC) for the recording “Make It Go Away” by Holly Cole, released 1997-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CACountry
A16Registrant
00Year (2000)
00010Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

LAURA HARDINGComposer
AARON DAVISComposer

MLC Song Code

M12592
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Make It Go Away" by Holly Cole?
The ISRC for "Make It Go Away" by Holly Cole is CAA160000010.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CAA160000010?

CAA160000010 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Make It Go Away” by Holly Cole. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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