ISRC

CABJ31400094

I'M AN OPEN ROAD (FEAT. JESS MOSKALUKE)

Song: I'M AN OPEN ROAD

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CABJ31400094 is the International Standard Recording Code (ISRC) for the recording “I'M AN OPEN ROAD (FEAT. JESS MOSKALUKE). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL BRANDT, PAUL BRANDT, GREG SCZEBEL.

Format

CACountry
BJ3Registrant
14Year (2014)
00094Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PAUL BRANDTComposerLyricist
SONGS OF MOJO ONE OriginalPublisherIPI: 00390273264
PAUL BRANDTComposerLyricist
SONGS OF MOJO ONE OriginalPublisherIPI: 00390273264
GREG SCZEBELComposerLyricist

Who publishes this song?

SONGS OF MOJO ONEOriginalPublisher
IPI: 00390273264
SourcesMLC

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People also ask

What is the ISRC for "I'M AN OPEN ROAD (FEAT. JESS MOSKALUKE)"?
The ISRC for "I'M AN OPEN ROAD (FEAT. JESS MOSKALUKE)" is CABJ31400094.
Who wrote "I'M AN OPEN ROAD (FEAT. JESS MOSKALUKE)"?
"I'M AN OPEN ROAD (FEAT. JESS MOSKALUKE)" was written by PAUL BRANDT, PAUL BRANDT, GREG SCZEBEL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CABJ31400094?

CABJ31400094 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I'M AN OPEN ROAD (FEAT. JESS MOSKALUKE). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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