ISRC

CAHC50600005

I Want More

Song: I WANT MORE

Sass Jordan
unmatchedNot yet matched in the MLC database
Released 2006-09-19

Last verified:

CAHC50600005 is the International Standard Recording Code (ISRC) for the recording "I Want More" by Sass Jordan, released 2006-09-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CACountry
HC5Registrant
06Year (2006)
00005Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "I Want More" by Sass Jordan?
The ISRC for "I Want More" by Sass Jordan is CAHC50600005.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CAHC50600005?

CAHC50600005 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I Want More" by Sass Jordan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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