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ISRC

CAJ721851022

Symphonie Nº 2 en do mineur, WAB 102 : II. Adagio. Feierlich, etwas bewegt

Song: Symphony no. 2 in C minor, WAB 102: II. Andante. Feierlich, etwas bewegt

Orchestre MétropolitainYannick Nézet-Séguin
Released 2016-10-01

Last verified:

CAJ721851022 is the International Standard Recording Code (ISRC) for the recording "Symphonie Nº 2 en do mineur, WAB 102 : II. Adagio. Feierlich, etwas bewegt" by Orchestre Métropolitain, Yannick Nézet-Séguin, released 2016-10-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CACountry
J72Registrant
18Year (2018)
51022Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Symphonie Nº 2 en do mineur, WAB 102 : II. Adagio. Feierlich, etwas bewegt" by Orchestre Métropolitain?
The ISRC for "Symphonie Nº 2 en do mineur, WAB 102 : II. Adagio. Feierlich, etwas bewegt" by Orchestre Métropolitain, Yannick Nézet-Séguin is CAJ721851022.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CAJ721851022?

CAJ721851022 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Symphonie Nº 2 en do mineur, WAB 102 : II. Adagio. Feierlich, etwas bewegt" by Orchestre Métropolitain, Yannick Nézet-Séguin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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