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ISRC

CALC41100544

Cantata "Vergnugte Ruh, beliebte Seelenlust" BWV 170: IV. Recitative: Wer sollte sich demnach

Song: Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach"

Daniel TaylorTafelmusik
Released 2011-09-27

Last verified:

CALC41100544 is the International Standard Recording Code (ISRC) for the recording "Cantata "Vergnugte Ruh, beliebte Seelenlust" BWV 170: IV. Recitative: Wer sollte sich demnach" by Daniel Taylor, Tafelmusik, released 2011-09-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CACountry
LC4Registrant
11Year (2011)
00544Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Cantata "Vergnugte Ruh, beliebte Seelenlust" BWV 170: IV. Recitative: Wer sollte sich demnach" by Daniel Taylor?
The ISRC for "Cantata "Vergnugte Ruh, beliebte Seelenlust" BWV 170: IV. Recitative: Wer sollte sich demnach" by Daniel Taylor, Tafelmusik is CALC41100544.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CALC41100544?

CALC41100544 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cantata "Vergnugte Ruh, beliebte Seelenlust" BWV 170: IV. Recitative: Wer sollte sich demnach" by Daniel Taylor, Tafelmusik. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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