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girls at the bar album cover

ISRC

CAUM72300693

girls at the bar2

Song: GIRLS AT THE BAR

Lydia SutherlandAlli Walker
unmatchedNot yet matched in the MLC database
Released 2024-01-26

Last verified:

CAUM72300693 is the International Standard Recording Code (ISRC) for the recording "girls at the bar" by Lydia Sutherland, Alli Walker, released 2024-01-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CACountry
UM7Registrant
23Year (2023)
00693Designation
Country:
ISO 3166-1 alpha-2 country code (CA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LYDIA SUTHERLANDComposerLyricist
UNIVERSAL MUSIC CORP. OriginalPublisher33.34%IPI: 00031312147
CALEB OCZOWSKIComposerLyricist
AARON POLLOCKComposerLyricist

Who publishes this song?

UNIVERSAL MUSIC CORP.OriginalPublisher
IPI: 00031312147

MLC Song Code

GE8725
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

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People also ask

What is the ISRC for "girls at the bar" by Lydia Sutherland?
The ISRC for "girls at the bar" by Lydia Sutherland, Alli Walker is CAUM72300693.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CAUM72300693?

CAUM72300693 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "girls at the bar" by Lydia Sutherland, Alli Walker. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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