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h-moll-Messe, BWV 232: 2. Christe eleison album cover

ISRC

CH1262001402

h-moll-Messe, BWV 232: 2. Christe eleison

Song: h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison

Marianne Beate KiellandAleksandra LewandowskaGli Angeli GenèveStephan MacLeod
Released 2021-03-26

Last verified:

CH1262001402 is the International Standard Recording Code (ISRC) for the recording "h-moll-Messe, BWV 232: 2. Christe eleison" by Marianne Beate Kielland, Aleksandra Lewandowska, Gli Angeli Genève, Stephan MacLeod, released 2021-03-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CHCountry
126Registrant
20Year (2020)
01402Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "h-moll-Messe, BWV 232: 2. Christe eleison" by Marianne Beate Kielland?
The ISRC for "h-moll-Messe, BWV 232: 2. Christe eleison" by Marianne Beate Kielland, Aleksandra Lewandowska, Gli Angeli Genève, Stephan MacLeod is CH1262001402.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH1262001402?

CH1262001402 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "h-moll-Messe, BWV 232: 2. Christe eleison" by Marianne Beate Kielland, Aleksandra Lewandowska, Gli Angeli Genève, Stephan MacLeod. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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