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ISRC

CH1310400663

Comp. No. 257 (30, 31, 46, 69, 90 & 136) / Freedom No. 1, 4 & 6 From the Sacred Concert No. 2: Part Ii

Anthony BraxtonDuke Ellington
Released 2005-01-01

Last verified:

CH1310400663 is the International Standard Recording Code (ISRC) for the recording "Comp. No. 257 (30, 31, 46, 69, 90 & 136) / Freedom No. 1, 4 & 6 From the Sacred Concert No. 2: Part Ii" by Anthony Braxton, Duke Ellington, released 2005-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CHCountry
131Registrant
04Year (2004)
00663Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Comp. No. 257 (30, 31, 46, 69, 90 & 136) / Freedom No. 1, 4 & 6 From the Sacred Concert No. 2: Part Ii" by Anthony Braxton?
The ISRC for "Comp. No. 257 (30, 31, 46, 69, 90 & 136) / Freedom No. 1, 4 & 6 From the Sacred Concert No. 2: Part Ii" by Anthony Braxton, Duke Ellington is CH1310400663.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH1310400663?

CH1310400663 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Comp. No. 257 (30, 31, 46, 69, 90 & 136) / Freedom No. 1, 4 & 6 From the Sacred Concert No. 2: Part Ii" by Anthony Braxton, Duke Ellington. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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