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ISRC

CH6540842353

I WANT TO BE IN LOVE (ORIGINALLY PERFORMED BY MELISSA MANCHESTER)

Song: I WANT TO BE IN LOVE

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CH6540842353 is the International Standard Recording Code (ISRC) for the recording "I WANT TO BE IN LOVE (ORIGINALLY PERFORMED BY MELISSA MANCHESTER)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MELISSA ETHERIDGE.

Format

CHCountry
654Registrant
08Year (2008)
42353Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI WANT TO BE IN LOVE (ORIGINALLY PERFORMED BY MELISSA MANCHESTER)
IPIMELISSA ETHERIDGE

Related

Songwriter profiles

MELISSA ETHERIDGEIPI

People also ask

What is the ISRC for "I WANT TO BE IN LOVE (ORIGINALLY PERFORMED BY MELISSA MANCHESTER)"?
The ISRC for "I WANT TO BE IN LOVE (ORIGINALLY PERFORMED BY MELISSA MANCHESTER)" is CH6540842353.
Who wrote "I WANT TO BE IN LOVE (ORIGINALLY PERFORMED BY MELISSA MANCHESTER)"?
"I WANT TO BE IN LOVE (ORIGINALLY PERFORMED BY MELISSA MANCHESTER)" was written by MELISSA ETHERIDGE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540842353?

CH6540842353 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I WANT TO BE IN LOVE (ORIGINALLY PERFORMED BY MELISSA MANCHESTER)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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