ISRC

CH6540842581

THE PIANO HAS BEEN DRINKING (NOT ME) (ORIGINALLY PERFORMED BY TOM WAITS)

Song: PIANO HAS BEEN DRINKING THE

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CH6540842581 is the International Standard Recording Code (ISRC) for the recording "THE PIANO HAS BEEN DRINKING (NOT ME) (ORIGINALLY PERFORMED BY TOM WAITS)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THOMAS A. WAITS.

Format

CHCountry
654Registrant
08Year (2008)
42581Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHE PIANO HAS BEEN DRINKING (NOT ME) (ORIGINALLY PERFORMED BY TOM WAITS)

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What is the ISRC for "THE PIANO HAS BEEN DRINKING (NOT ME) (ORIGINALLY PERFORMED BY TOM WAITS)"?
The ISRC for "THE PIANO HAS BEEN DRINKING (NOT ME) (ORIGINALLY PERFORMED BY TOM WAITS)" is CH6540842581.
Who wrote "THE PIANO HAS BEEN DRINKING (NOT ME) (ORIGINALLY PERFORMED BY TOM WAITS)"?
"THE PIANO HAS BEEN DRINKING (NOT ME) (ORIGINALLY PERFORMED BY TOM WAITS)" was written by THOMAS A. WAITS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540842581?

CH6540842581 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "THE PIANO HAS BEEN DRINKING (NOT ME) (ORIGINALLY PERFORMED BY TOM WAITS)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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