ISRC

CH6540842614

EXTRA ORDINARY (ORIGINALLY PERFORMED BY BETTER THAN EZRA) - KARAOKE VERSION

Song: EXTRA ORDINARY

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CH6540842614 is the International Standard Recording Code (ISRC) for the recording "EXTRA ORDINARY (ORIGINALLY PERFORMED BY BETTER THAN EZRA) - KARAOKE VERSION". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KEVIN GRIFFIN.

Format

CHCountry
654Registrant
08Year (2008)
42614Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCEXTRA ORDINARY (ORIGINALLY PERFORMED BY BETTER THAN EZRA) - KARAOKE VERSION

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People also ask

What is the ISRC for "EXTRA ORDINARY (ORIGINALLY PERFORMED BY BETTER THAN EZRA) - KARAOKE VERSION"?
The ISRC for "EXTRA ORDINARY (ORIGINALLY PERFORMED BY BETTER THAN EZRA) - KARAOKE VERSION" is CH6540842614.
Who wrote "EXTRA ORDINARY (ORIGINALLY PERFORMED BY BETTER THAN EZRA) - KARAOKE VERSION"?
"EXTRA ORDINARY (ORIGINALLY PERFORMED BY BETTER THAN EZRA) - KARAOKE VERSION" was written by KEVIN GRIFFIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540842614?

CH6540842614 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "EXTRA ORDINARY (ORIGINALLY PERFORMED BY BETTER THAN EZRA) - KARAOKE VERSION". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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