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ISRC

CH6540843183

IMAGINARY LOVER (ORIGINALLY PERFORMED BY ATLANTA RHYTHM SECTION) - KARAOKE VERSION

Song: IMAGINARY LOVER

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CH6540843183 is the International Standard Recording Code (ISRC) for the recording "IMAGINARY LOVER (ORIGINALLY PERFORMED BY ATLANTA RHYTHM SECTION) - KARAOKE VERSION". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DEAN DAUGHTRY, BUDDY BUIE, ROBERT NIX.

Format

CHCountry
654Registrant
08Year (2008)
43183Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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Songwriter profiles

BUDDY BUIEIPI

People also ask

What is the ISRC for "IMAGINARY LOVER (ORIGINALLY PERFORMED BY ATLANTA RHYTHM SECTION) - KARAOKE VERSION"?
The ISRC for "IMAGINARY LOVER (ORIGINALLY PERFORMED BY ATLANTA RHYTHM SECTION) - KARAOKE VERSION" is CH6540843183.
Who wrote "IMAGINARY LOVER (ORIGINALLY PERFORMED BY ATLANTA RHYTHM SECTION) - KARAOKE VERSION"?
"IMAGINARY LOVER (ORIGINALLY PERFORMED BY ATLANTA RHYTHM SECTION) - KARAOKE VERSION" was written by DEAN DAUGHTRY, BUDDY BUIE, ROBERT NIX.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540843183?

CH6540843183 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "IMAGINARY LOVER (ORIGINALLY PERFORMED BY ATLANTA RHYTHM SECTION) - KARAOKE VERSION". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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