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ISRC

CH6540843334

TEMPTED (ORIGINALLY PERFORMED BY SQUEEZE) - KARAOKE VERSION

Song: TEMPTED

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CH6540843334 is the International Standard Recording Code (ISRC) for the recording "TEMPTED (ORIGINALLY PERFORMED BY SQUEEZE) - KARAOKE VERSION". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHRISTOPHER DIFFORD, GLENN MARTIN TILBROOK.

Format

CHCountry
654Registrant
08Year (2008)
43334Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTEMPTED (ORIGINALLY PERFORMED BY SQUEEZE) - KARAOKE VERSION
IPICHRISTOPHER DIFFORD

Related

Songwriter profiles

CHRISTOPHER DIFFORDIPIGLENN MARTIN TILBROOKIPI

People also ask

What is the ISRC for "TEMPTED (ORIGINALLY PERFORMED BY SQUEEZE) - KARAOKE VERSION"?
The ISRC for "TEMPTED (ORIGINALLY PERFORMED BY SQUEEZE) - KARAOKE VERSION" is CH6540843334.
Who wrote "TEMPTED (ORIGINALLY PERFORMED BY SQUEEZE) - KARAOKE VERSION"?
"TEMPTED (ORIGINALLY PERFORMED BY SQUEEZE) - KARAOKE VERSION" was written by CHRISTOPHER DIFFORD, GLENN MARTIN TILBROOK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540843334?

CH6540843334 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "TEMPTED (ORIGINALLY PERFORMED BY SQUEEZE) - KARAOKE VERSION". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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