ISRC

CH6540843419

NO MORE DRAMA (ORIGINALLY PERFORMED BY MARY J. BLIGE) - KARAOKE VERSION

Song: "NO MORE DRAMA (SAMPLES ""THE YOUNG AND THE RESTLESS THEME"")"

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CH6540843419 is the International Standard Recording Code (ISRC) for the recording "NO MORE DRAMA (ORIGINALLY PERFORMED BY MARY J. BLIGE) - KARAOKE VERSION". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PERRY L BOTKIN, JAMES SAMUEL HARRIS III, TERRY LEWIS, and others.

Format

CHCountry
654Registrant
08Year (2008)
43419Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "NO MORE DRAMA (ORIGINALLY PERFORMED BY MARY J. BLIGE) - KARAOKE VERSION"?
The ISRC for "NO MORE DRAMA (ORIGINALLY PERFORMED BY MARY J. BLIGE) - KARAOKE VERSION" is CH6540843419.
Who wrote "NO MORE DRAMA (ORIGINALLY PERFORMED BY MARY J. BLIGE) - KARAOKE VERSION"?
"NO MORE DRAMA (ORIGINALLY PERFORMED BY MARY J. BLIGE) - KARAOKE VERSION" was written by PERRY L BOTKIN, JAMES SAMUEL HARRIS III, TERRY LEWIS, BARRY DEVORZON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540843419?

CH6540843419 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "NO MORE DRAMA (ORIGINALLY PERFORMED BY MARY J. BLIGE) - KARAOKE VERSION". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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