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ISRC

CH6540843574

STAY (WASTING TIME) (ORIGINALLY PERFORMED BY THE DAVE MATTHEWS BAND)

Song: STAY

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CH6540843574 is the International Standard Recording Code (ISRC) for the recording "STAY (WASTING TIME) (ORIGINALLY PERFORMED BY THE DAVE MATTHEWS BAND)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MAURICE WILLIAMS.

Format

CHCountry
654Registrant
08Year (2008)
43574Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSTAY (WASTING TIME) (ORIGINALLY PERFORMED BY THE DAVE MATTHEWS BAND)
IPIMAURICE WILLIAMS

Related

Songwriter profiles

MAURICE WILLIAMSIPI

People also ask

What is the ISRC for "STAY (WASTING TIME) (ORIGINALLY PERFORMED BY THE DAVE MATTHEWS BAND)"?
The ISRC for "STAY (WASTING TIME) (ORIGINALLY PERFORMED BY THE DAVE MATTHEWS BAND)" is CH6540843574.
Who wrote "STAY (WASTING TIME) (ORIGINALLY PERFORMED BY THE DAVE MATTHEWS BAND)"?
"STAY (WASTING TIME) (ORIGINALLY PERFORMED BY THE DAVE MATTHEWS BAND)" was written by MAURICE WILLIAMS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540843574?

CH6540843574 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "STAY (WASTING TIME) (ORIGINALLY PERFORMED BY THE DAVE MATTHEWS BAND)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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