ISRC

CH6540843638

RUNNING ON EMPTY (ORIGINALLY PERFORMED BY JACKSON BROWNE)

Song: RUNNING ON EMPTY

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CH6540843638 is the International Standard Recording Code (ISRC) for the recording “RUNNING ON EMPTY (ORIGINALLY PERFORMED BY JACKSON BROWNE). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JACKSON BROWNE.

Format

CHCountry
654Registrant
08Year (2008)
43638Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JACKSON BROWNEComposer
SWALLOW TURN MUSIC OriginalPublisher100.00%IPI: 00018621596

Who publishes this song?

SWALLOW TURN MUSICOriginalPublisher
IPI: 00018621596

MLC Song Code

SourcesMLCMusicBrainz2 sources

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People also ask

What is the ISRC for "RUNNING ON EMPTY (ORIGINALLY PERFORMED BY JACKSON BROWNE)"?
The ISRC for "RUNNING ON EMPTY (ORIGINALLY PERFORMED BY JACKSON BROWNE)" is CH6540843638.
Who wrote "RUNNING ON EMPTY (ORIGINALLY PERFORMED BY JACKSON BROWNE)"?
"RUNNING ON EMPTY (ORIGINALLY PERFORMED BY JACKSON BROWNE)" was written by JACKSON BROWNE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540843638?

CH6540843638 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “RUNNING ON EMPTY (ORIGINALLY PERFORMED BY JACKSON BROWNE). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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