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ISRC

CH6540843728

TAKE ON ME (ORIGINALLY PERFORMED BY A-HA) - KARAOKE VERSION

Song: TAKE ON ME (KICKSOME VERSION)

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CH6540843728 is the International Standard Recording Code (ISRC) for the recording "TAKE ON ME (ORIGINALLY PERFORMED BY A-HA) - KARAOKE VERSION". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MORTEN HARKET, MAGNE FURUHOLMEN, PAL WAAKTAAR.

Format

CHCountry
654Registrant
08Year (2008)
43728Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTAKE ON ME (ORIGINALLY PERFORMED BY A-HA) - KARAOKE VERSION
IPIMORTEN HARKET

Related

Songwriter profiles

MORTEN HARKETIPIMAGNE FURUHOLMENIPI

People also ask

What is the ISRC for "TAKE ON ME (ORIGINALLY PERFORMED BY A-HA) - KARAOKE VERSION"?
The ISRC for "TAKE ON ME (ORIGINALLY PERFORMED BY A-HA) - KARAOKE VERSION" is CH6540843728.
Who wrote "TAKE ON ME (ORIGINALLY PERFORMED BY A-HA) - KARAOKE VERSION"?
"TAKE ON ME (ORIGINALLY PERFORMED BY A-HA) - KARAOKE VERSION" was written by MORTEN HARKET, MAGNE FURUHOLMEN, PAL WAAKTAAR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540843728?

CH6540843728 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "TAKE ON ME (ORIGINALLY PERFORMED BY A-HA) - KARAOKE VERSION". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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