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ISRC

CH6540843981

ALL I DO IS LOVE HER (ORIGINALLY PERFORMED BY JAMES BONAMY) - KARAOKE VERSION

Song: ALL I DO IS LOVE HER

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CH6540843981 is the International Standard Recording Code (ISRC) for the recording "ALL I DO IS LOVE HER (ORIGINALLY PERFORMED BY JAMES BONAMY) - KARAOKE VERSION". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WAYLAND PATTON, DONALD EWING II.

Format

CHCountry
654Registrant
08Year (2008)
43981Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

DONALD EWING IIIPI

People also ask

What is the ISRC for "ALL I DO IS LOVE HER (ORIGINALLY PERFORMED BY JAMES BONAMY) - KARAOKE VERSION"?
The ISRC for "ALL I DO IS LOVE HER (ORIGINALLY PERFORMED BY JAMES BONAMY) - KARAOKE VERSION" is CH6540843981.
Who wrote "ALL I DO IS LOVE HER (ORIGINALLY PERFORMED BY JAMES BONAMY) - KARAOKE VERSION"?
"ALL I DO IS LOVE HER (ORIGINALLY PERFORMED BY JAMES BONAMY) - KARAOKE VERSION" was written by WAYLAND PATTON, DONALD EWING II.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540843981?

CH6540843981 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "ALL I DO IS LOVE HER (ORIGINALLY PERFORMED BY JAMES BONAMY) - KARAOKE VERSION". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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