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BOTHER (ORIGINALLY PERFORMED BY STONE SOUR) - KARAOKE VERSION album cover

ISRC

CH6540843993

BOTHER (ORIGINALLY PERFORMED BY STONE SOUR) - KARAOKE VERSION

Song: BOTHER

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CH6540843993 is the International Standard Recording Code (ISRC) for the recording "BOTHER (ORIGINALLY PERFORMED BY STONE SOUR) - KARAOKE VERSION". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by COREY TAYLOR.

Format

CHCountry
654Registrant
08Year (2008)
43993Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBOTHER (ORIGINALLY PERFORMED BY STONE SOUR) - KARAOKE VERSION
IPICOREY TAYLOR

Related

Songwriter profiles

COREY TAYLORIPI

People also ask

What is the ISRC for "BOTHER (ORIGINALLY PERFORMED BY STONE SOUR) - KARAOKE VERSION"?
The ISRC for "BOTHER (ORIGINALLY PERFORMED BY STONE SOUR) - KARAOKE VERSION" is CH6540843993.
Who wrote "BOTHER (ORIGINALLY PERFORMED BY STONE SOUR) - KARAOKE VERSION"?
"BOTHER (ORIGINALLY PERFORMED BY STONE SOUR) - KARAOKE VERSION" was written by COREY TAYLOR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6540843993?

CH6540843993 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "BOTHER (ORIGINALLY PERFORMED BY STONE SOUR) - KARAOKE VERSION". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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