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Back to Hadatopia (instrumental) album cover

ISRC

CH6541670451

Back to Hadatopia (instrumental)2

Song: BACK TO HADATOPIA

Atlantis Chronicles
matched
Released 2016-03-24

Last verified:

CH6541670451 is the International Standard Recording Code (ISRC) for the recording "Back to Hadatopia (instrumental)" by Atlantis Chronicles, released 2016-03-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HOUNGBO ALEXANDRE, TAIEB SYDNEY.

Format

CHCountry
654Registrant
16Year (2016)
70451Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

HOUNGBO ALEXANDREComposer
TAIEB SYDNEYComposer
SourcesMusicBrainzMLC2 sources

Verified on

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Songwriter profiles

People also ask

What is the ISRC for "Back to Hadatopia (instrumental)" by Atlantis Chronicles?
The ISRC for "Back to Hadatopia (instrumental)" by Atlantis Chronicles is CH6541670451.
Who wrote "Back to Hadatopia (instrumental)"?
"Back to Hadatopia (instrumental)" was written by HOUNGBO ALEXANDRE, TAIEB SYDNEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH6541670451?

CH6541670451 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Back to Hadatopia (instrumental)" by Atlantis Chronicles. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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