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ISRC

CH9211100233

Matthäuspassion, BWV 244: 51. Rezitativ. "Erbarm es Gott!" (Alt)

Song: Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott"

Margot OitzingerOrchester der J. S. Bach-StiftungRudolf Lutz

Last verified:

CH9211100233 is the International Standard Recording Code (ISRC) for the recording "Matthäuspassion, BWV 244: 51. Rezitativ. "Erbarm es Gott!" (Alt)" by Margot Oitzinger, Orchester der J. S. Bach-Stiftung, Rudolf Lutz. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CHCountry
921Registrant
11Year (2011)
00233Designation
Country:
ISO 3166-1 alpha-2 country code (CH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Matthäuspassion, BWV 244: 51. Rezitativ. "Erbarm es Gott!" (Alt)" by Margot Oitzinger?
The ISRC for "Matthäuspassion, BWV 244: 51. Rezitativ. "Erbarm es Gott!" (Alt)" by Margot Oitzinger, Orchester der J. S. Bach-Stiftung, Rudolf Lutz is CH9211100233.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CH9211100233?

CH9211100233 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Matthäuspassion, BWV 244: 51. Rezitativ. "Erbarm es Gott!" (Alt)" by Margot Oitzinger, Orchester der J. S. Bach-Stiftung, Rudolf Lutz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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