Proyecto Crisis album cover

ISRC

CLKK10810366

Proyecto Crisis2

Song: SOLDIER OF HELL V2 ( REMIX AND FEAT AND ) [FEAT. PROYECTO CR

Proyecto Crisis
unmatchedNot yet matched in the MLC database
Released 2008-03-04

Last verified:

CLKK10810366 is the International Standard Recording Code (ISRC) for the recording “Proyecto Crisis by Proyecto Crisis, released 2008-03-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CLCountry
KK1Registrant
08Year (2008)
10366Designation
Country:
ISO 3166-1 alpha-2 country code (CL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Proyecto Crisis" by Proyecto Crisis?
The ISRC for "Proyecto Crisis" by Proyecto Crisis is CLKK10810366.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CLKK10810366?

CLKK10810366 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Proyecto Crisis by Proyecto Crisis. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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