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ISRC

COC011530525

De fiesta con Kikey: Me voy pa’ La Habana / Sé que bebo / Si la mujer se vendiera / La penca (Mosaico)

El Gran KikeyEl Comandante
Released 2015-03-19

Last verified:

COC011530525 is the International Standard Recording Code (ISRC) for the recording "De fiesta con Kikey: Me voy pa’ La Habana / Sé que bebo / Si la mujer se vendiera / La penca (Mosaico)" by El Gran Kikey, El Comandante, released 2015-03-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

COCountry
C01Registrant
15Year (2015)
30525Designation
Country:
ISO 3166-1 alpha-2 country code (CO).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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People also ask

What is the ISRC for "De fiesta con Kikey: Me voy pa’ La Habana / Sé que bebo / Si la mujer se vendiera / La penca (Mosaico)" by El Gran Kikey?
The ISRC for "De fiesta con Kikey: Me voy pa’ La Habana / Sé que bebo / Si la mujer se vendiera / La penca (Mosaico)" by El Gran Kikey, El Comandante is COC011530525.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC COC011530525?

COC011530525 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "De fiesta con Kikey: Me voy pa’ La Habana / Sé que bebo / Si la mujer se vendiera / La penca (Mosaico)" by El Gran Kikey, El Comandante. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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