Homenaje a Pastor López: Golpe con golpe / Cariñito sin mí / El hijo ausente album cover

ISRC

COC011530938

Homenaje a Pastor López: Golpe con golpe / Cariñito sin mí / El hijo ausente

Fernando GonzálezEl Combo Qué NotaJerson Flores
Released 2015-09-25

Last verified:

COC011530938 is the International Standard Recording Code (ISRC) for the recording “Homenaje a Pastor López: Golpe con golpe / Cariñito sin mí / El hijo ausente by Fernando González, El Combo Qué Nota, Jerson Flores, released 2015-09-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

COCountry
C01Registrant
15Year (2015)
30938Designation
Country:
ISO 3166-1 alpha-2 country code (CO).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Homenaje a Pastor López: Golpe con golpe / Cariñito sin mí / El hijo ausente" by Fernando González?
The ISRC for "Homenaje a Pastor López: Golpe con golpe / Cariñito sin mí / El hijo ausente" by Fernando González, El Combo Qué Nota, Jerson Flores is COC011530938.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC COC011530938?

COC011530938 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Homenaje a Pastor López: Golpe con golpe / Cariñito sin mí / El hijo ausente by Fernando González, El Combo Qué Nota, Jerson Flores. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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