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ISRC

COF019700714

OYE MI LOLA

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COF019700714 is the International Standard Recording Code (ISRC) for the recording “OYE MI LOLA”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FERNANDO PEREZ MATOS, FERNANDO MATTOS PEREZ.

Format

COCountry
F01Registrant
97Year (1997)
00714Designation
Country:
ISO 3166-1 alpha-2 country code (CO).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

FERNANDO PEREZ MATOSComposer
DISCOS FUENTES EDIMUSICA S.A. OriginalPublisher0.00%IPI: 00260922183
SPIRIT TWO MUSIC CRESCENDO RightsAdministrator100.00%IPI: 01174826144
FERNANDO MATTOS PEREZComposerLyricist
DISCOS FUENTES EDIMUSICA S.A. OriginalPublisher0.00%IPI: 00260922183
SPIRIT TWO MUSIC CRESCENDO RightsAdministrator100.00%IPI: 01174826144

Who publishes this song?

DISCOS FUENTES EDIMUSICA S.A.OriginalPublisher
IPI: 00260922183
SPIRIT TWO MUSIC CRESCENDORightsAdministrator
IPI: 01174826144
SourcesMLC

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People also ask

What is the ISRC for "OYE MI LOLA"?
The ISRC for "OYE MI LOLA" is COF019700714.
Who wrote "OYE MI LOLA"?
"OYE MI LOLA" was written by FERNANDO PEREZ MATOS, FERNANDO MATTOS PEREZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC COF019700714?

COF019700714 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “OYE MI LOLA”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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