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Listo pa' la foto album cover

ISRC

COSO10900548

Listo pa' la foto

Song: LISTO PA' LA FOTO

Diomedes DíazÁlvaro López
matched
Released 2009-01-01

Last verified:

COSO10900548 is the International Standard Recording Code (ISRC) for the recording "Listo pa' la foto" by Diomedes Díaz, Álvaro López, released 2009-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

COCountry
SO1Registrant
09Year (2009)
00548Designation
Country:
ISO 3166-1 alpha-2 country code (CO).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

AURELIO NUNEZComposer
SONY MUSIC COLOMBIA OriginalPublisher0.00%IPI: 00241988051
SONY/ATV DISCOS MUSIC PUBLISHING LLC RightsAdministrator100.00%IPI: 00339319841

Who publishes this song?

SONY MUSIC COLOMBIAOriginalPublisher
IPI: 00241988051
SONY/ATV DISCOS MUSIC PUBLISHING LLCRightsAdministrator
IPI: 00339319841

MLC Song Code

L57832
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

People also ask

What is the ISRC for "Listo pa' la foto" by Diomedes Díaz?
The ISRC for "Listo pa' la foto" by Diomedes Díaz, Álvaro López is COSO10900548.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC COSO10900548?

COSO10900548 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Listo pa' la foto" by Diomedes Díaz, Álvaro López. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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