ISRC

CYA2L2105112

11 CHORALE PRELUDES, OP. 122 POSTH.: NO. 8, ES IST EIN ROS' ENTSPRUNGEN

Song: CHORALE PRELUDE ON ES IST EIN ROS' ENTSPRUNGEN OP 122 NO 8

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CYA2L2105112 is the International Standard Recording Code (ISRC) for the recording "11 CHORALE PRELUDES, OP. 122 POSTH.: NO. 8, ES IST EIN ROS' ENTSPRUNGEN". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHANNES BRAHMS.

Format

CYCountry
A2LRegistrant
21Year (2021)
05112Designation
Country:
ISO 3166-1 alpha-2 country code (CY).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC11 CHORALE PRELUDES, OP. 122 POSTH.: NO. 8, ES IST EIN ROS' ENTSPRUNGEN

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People also ask

What is the ISRC for "11 CHORALE PRELUDES, OP. 122 POSTH.: NO. 8, ES IST EIN ROS' ENTSPRUNGEN"?
The ISRC for "11 CHORALE PRELUDES, OP. 122 POSTH.: NO. 8, ES IST EIN ROS' ENTSPRUNGEN" is CYA2L2105112.
Who wrote "11 CHORALE PRELUDES, OP. 122 POSTH.: NO. 8, ES IST EIN ROS' ENTSPRUNGEN"?
"11 CHORALE PRELUDES, OP. 122 POSTH.: NO. 8, ES IST EIN ROS' ENTSPRUNGEN" was written by JOHANNES BRAHMS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CYA2L2105112?

CYA2L2105112 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "11 CHORALE PRELUDES, OP. 122 POSTH.: NO. 8, ES IST EIN ROS' ENTSPRUNGEN". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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