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ISRC

CZA160513864

CANTATA ICH BIN IN MIR VERGNÜGT, .: RECITATIVO: ICH BIN IN MIR VERGNÜGT

Song: PUBLIC DOMAIN TRACK

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CZA160513864 is the International Standard Recording Code (ISRC) for the recording "CANTATA ICH BIN IN MIR VERGNÜGT, .: RECITATIVO: ICH BIN IN MIR VERGNÜGT". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PUBLIC DOMAIN.

Format

CZCountry
A16Registrant
05Year (2005)
13864Designation
Country:
ISO 3166-1 alpha-2 country code (CZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCANTATA ICH BIN IN MIR VERGNÜGT, .: RECITATIVO: ICH BIN IN MIR VERGNÜGT
IPIPUBLIC DOMAIN

Related

Songwriter profiles

PUBLIC DOMAINIPI

People also ask

What is the ISRC for "CANTATA ICH BIN IN MIR VERGNÜGT, .: RECITATIVO: ICH BIN IN MIR VERGNÜGT"?
The ISRC for "CANTATA ICH BIN IN MIR VERGNÜGT, .: RECITATIVO: ICH BIN IN MIR VERGNÜGT" is CZA160513864.
Who wrote "CANTATA ICH BIN IN MIR VERGNÜGT, .: RECITATIVO: ICH BIN IN MIR VERGNÜGT"?
"CANTATA ICH BIN IN MIR VERGNÜGT, .: RECITATIVO: ICH BIN IN MIR VERGNÜGT" was written by PUBLIC DOMAIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CZA160513864?

CZA160513864 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "CANTATA ICH BIN IN MIR VERGNÜGT, .: RECITATIVO: ICH BIN IN MIR VERGNÜGT". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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