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String Quartet no. 14 in Quartet-tone System, op. 94: V. Andante cantabile album cover

ISRC

CZA167405787

String Quartet no. 14 in Quartet-tone System, op. 94: V. Andante cantabile

Song: Quartett no. 14 Im Vierteltonsystem, op. 94: V. Andante Cantabile

Suk Quartet
Released 2023-07-07

Last verified:

CZA167405787 is the International Standard Recording Code (ISRC) for the recording “String Quartet no. 14 in Quartet-tone System, op. 94: V. Andante cantabile” by Suk Quartet, released 2023-07-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CZCountry
A16Registrant
74Year (1974)
05787Designation
Country:
ISO 3166-1 alpha-2 country code (CZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1974):
Last two digits of the reference year (1974). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "String Quartet no. 14 in Quartet-tone System, op. 94: V. Andante cantabile" by Suk Quartet?
The ISRC for "String Quartet no. 14 in Quartet-tone System, op. 94: V. Andante cantabile" by Suk Quartet is CZA167405787.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CZA167405787?

CZA167405787 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “String Quartet no. 14 in Quartet-tone System, op. 94: V. Andante cantabile” by Suk Quartet. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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