ISRC

CZA169409393

The Diary of One Who Disappeared, JW V/12: Welcome, Janíček

Prague Philharmonic ChoirPavel KühnRadoslav KvapilLeo Marian VodičkaJitka Zerhauová
Released 2023-08-25

Last verified:

CZA169409393 is the International Standard Recording Code (ISRC) for the recording "The Diary of One Who Disappeared, JW V/12: Welcome, Janíček" by Prague Philharmonic Choir, Pavel Kühn, Radoslav Kvapil, Leo Marian Vodička, Jitka Zerhauová, released 2023-08-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CZCountry
A16Registrant
94Year (1994)
09393Designation
Country:
ISO 3166-1 alpha-2 country code (CZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1994):
Last two digits of the reference year (1994). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "The Diary of One Who Disappeared, JW V/12: Welcome, Janíček" by Prague Philharmonic Choir?
The ISRC for "The Diary of One Who Disappeared, JW V/12: Welcome, Janíček" by Prague Philharmonic Choir, Pavel Kühn, Radoslav Kvapil, Leo Marian Vodička, Jitka Zerhauová is CZA169409393.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CZA169409393?

CZA169409393 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Diary of One Who Disappeared, JW V/12: Welcome, Janíček" by Prague Philharmonic Choir, Pavel Kühn, Radoslav Kvapil, Leo Marian Vodička, Jitka Zerhauová. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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