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ISRC

CZA169604135

Symphony no. 7 in E major, WAB 107: IV. Finale. Bewegt, doch nicht schnell

Song: Symphony no. 7 in E-major, WAB 107: IV. Finale. Bewegt, doch nicht schnell

Prague Symphony OrchestraGaetano Delogu
Released 1996-01-01

Last verified:

CZA169604135 is the International Standard Recording Code (ISRC) for the recording "Symphony no. 7 in E major, WAB 107: IV. Finale. Bewegt, doch nicht schnell" by Prague Symphony Orchestra, Gaetano Delogu, released 1996-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CZCountry
A16Registrant
96Year (1996)
04135Designation
Country:
ISO 3166-1 alpha-2 country code (CZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Symphony no. 7 in E major, WAB 107: IV. Finale. Bewegt, doch nicht schnell" by Prague Symphony Orchestra?
The ISRC for "Symphony no. 7 in E major, WAB 107: IV. Finale. Bewegt, doch nicht schnell" by Prague Symphony Orchestra, Gaetano Delogu is CZA169604135.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CZA169604135?

CZA169604135 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Symphony no. 7 in E major, WAB 107: IV. Finale. Bewegt, doch nicht schnell" by Prague Symphony Orchestra, Gaetano Delogu. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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