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ISRC

DEA310909606

I DON'T WANNA HURT YOU - PARTY MIX

Song: I DON'T WANNA HURT YOU

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DEA310909606 is the International Standard Recording Code (ISRC) for the recording “I DON'T WANNA HURT YOU - PARTY MIX”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GIANFRANCO (IT2 BORTOLOTTI, DIEGO LEONI, MAURO AVENTINO, and others.

Format

DECountry
A31Registrant
09Year (2009)
09606Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI DON&APOS;T WANNA HURT YOU - PARTY MIX
IPIGIANFRANCO (IT2 BORTOLOTTI

Related

Songwriter profiles

GIANFRANCO (IT2 BORTOLOTTIIPIDIEGO LEONIIPIMAURO AVENTINOIPICLAUDIO MAIFRINIIPIROBERTO ARDUINIIPI

People also ask

What is the ISRC for "I DON&APOS;T WANNA HURT YOU - PARTY MIX"?
The ISRC for "I DON&APOS;T WANNA HURT YOU - PARTY MIX" is DEA310909606.
Who wrote "I DON&APOS;T WANNA HURT YOU - PARTY MIX"?
"I DON&APOS;T WANNA HURT YOU - PARTY MIX" was written by GIANFRANCO (IT2 BORTOLOTTI, DIEGO LEONI, MAURO AVENTINO, CLAUDIO MAIFRINI, ROBERTO ARDUINI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA310909606?

DEA310909606 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I DON&APOS;T WANNA HURT YOU - PARTY MIX”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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