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ISRC

DEA348302009

La nozze di Figaro: Act III. Giunse alfin il momento... Deh vieni, non tardar

Song: Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)

Lucia PoppMünchner RundfunkorchesterLeonard Slatkin

Last verified:

DEA348302009 is the International Standard Recording Code (ISRC) for the recording "La nozze di Figaro: Act III. Giunse alfin il momento... Deh vieni, non tardar" by Lucia Popp, Münchner Rundfunkorchester, Leonard Slatkin. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A34Registrant
83Year (1983)
02009Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1983):
Last two digits of the reference year (1983). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "La nozze di Figaro: Act III. Giunse alfin il momento... Deh vieni, non tardar" by Lucia Popp?
The ISRC for "La nozze di Figaro: Act III. Giunse alfin il momento... Deh vieni, non tardar" by Lucia Popp, Münchner Rundfunkorchester, Leonard Slatkin is DEA348302009.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA348302009?

DEA348302009 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "La nozze di Figaro: Act III. Giunse alfin il momento... Deh vieni, non tardar" by Lucia Popp, Münchner Rundfunkorchester, Leonard Slatkin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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