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Klangbeschreibung II album cover

ISRC

DEA558704447

Klangbeschreibung II

Ingrid Ade-JesemannMonika Bair-JvenzChrista MuckenheimChristine WhittleseyGabrieli-QuintettSlagwerkgroep Den HaagMichael Gielen

Last verified:

DEA558704447 is the International Standard Recording Code (ISRC) for the recording "Klangbeschreibung II" by Ingrid Ade-Jesemann, Monika Bair-Jvenz, Christa Muckenheim, Christine Whittlesey, Gabrieli-Quintett, Slagwerkgroep Den Haag, Michael Gielen. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A55Registrant
87Year (1987)
04447Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1987):
Last two digits of the reference year (1987). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Klangbeschreibung II" by Ingrid Ade-Jesemann?
The ISRC for "Klangbeschreibung II" by Ingrid Ade-Jesemann, Monika Bair-Jvenz, Christa Muckenheim, Christine Whittlesey, Gabrieli-Quintett, Slagwerkgroep Den Haag, Michael Gielen is DEA558704447.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA558704447?

DEA558704447 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Klangbeschreibung II" by Ingrid Ade-Jesemann, Monika Bair-Jvenz, Christa Muckenheim, Christine Whittlesey, Gabrieli-Quintett, Slagwerkgroep Den Haag, Michael Gielen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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