ISRC

DEA621300225

Reeperbahn 2011 (What It’s Like)2

Song: REEPERBAHN 2011 (WHAT IT'S LIKE)

Udo LindenbergDas PanikorchesterJan Delay
matched
Released 2003-01-01

Last verified:

DEA621300225 is the International Standard Recording Code (ISRC) for the recording “Reeperbahn 2011 (What It’s Like) by Udo Lindenberg, Das Panikorchester, Jan Delay, released 2003-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by UDO LINDENBERG, ERIK SCHRODY, JOHN LENNON, and others.

Format

DECountry
A62Registrant
13Year (2013)
00225Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCReeperbahn 2011 (What It’s Like)

People also ask

What is the ISRC for "Reeperbahn 2011 (What It’s Like)" by Udo Lindenberg?
The ISRC for "Reeperbahn 2011 (What It’s Like)" by Udo Lindenberg, Das Panikorchester, Jan Delay is DEA621300225.
Who wrote "Reeperbahn 2011 (What It’s Like)"?
"Reeperbahn 2011 (What It’s Like)" was written by UDO LINDENBERG, ERIK SCHRODY, JOHN LENNON, PAUL JAMES MCCARTNEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA621300225?

DEA621300225 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Reeperbahn 2011 (What It’s Like) by Udo Lindenberg, Das Panikorchester, Jan Delay. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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