Weihnachts-Oratorium BWV 248: XXIX. Herr, dein mitleid, dein Erbarmen album cover

ISRC

DEA805500306

Weihnachts-Oratorium BWV 248: XXIX. Herr, dein mitleid, dein Erbarmen

Song: Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“

Chloë OwenMünchener Bach-OrchesterKarl Richter

Last verified:

DEA805500306 is the International Standard Recording Code (ISRC) for the recording "Weihnachts-Oratorium BWV 248: XXIX. Herr, dein mitleid, dein Erbarmen" by Chloë Owen, Münchener Bach-Orchester, Karl Richter. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A80Registrant
55Year (1955)
00306Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1955):
Last two digits of the reference year (1955). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Weihnachts-Oratorium BWV 248: XXIX. Herr, dein mitleid, dein Erbarmen" by Chloë Owen?
The ISRC for "Weihnachts-Oratorium BWV 248: XXIX. Herr, dein mitleid, dein Erbarmen" by Chloë Owen, Münchener Bach-Orchester, Karl Richter is DEA805500306.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA805500306?

DEA805500306 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Weihnachts-Oratorium BWV 248: XXIX. Herr, dein mitleid, dein Erbarmen" by Chloë Owen, Münchener Bach-Orchester, Karl Richter. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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