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Brandenburgisches Konzert No. 4 in G-Dur, BWV 1049: III. Presto album cover

ISRC

DEA806400913

Brandenburgisches Konzert No. 4 in G-Dur, BWV 1049: III. Presto2

Song: PUBLIC DOMAIN TRACK

Concentus Musicus WienNikolaus Harnoncourt
unmatchedNot yet matched in the MLC database
Released 1967-01-01

Last verified:

DEA806400913 is the International Standard Recording Code (ISRC) for the recording “Brandenburgisches Konzert No. 4 in G-Dur, BWV 1049: III. Presto” by Concentus Musicus Wien, Nikolaus Harnoncourt, released 1967-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A80Registrant
64Year (1964)
00913Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1964):
Last two digits of the reference year (1964). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Brandenburgisches Konzert No. 4 in G-Dur, BWV 1049: III. Presto" by Concentus Musicus Wien?
The ISRC for "Brandenburgisches Konzert No. 4 in G-Dur, BWV 1049: III. Presto" by Concentus Musicus Wien, Nikolaus Harnoncourt is DEA806400913.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA806400913?

DEA806400913 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Brandenburgisches Konzert No. 4 in G-Dur, BWV 1049: III. Presto” by Concentus Musicus Wien, Nikolaus Harnoncourt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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