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ISRC

DEA807000558

Matthäus-Passion, BWV 244: Teil II: Evangelista: Und es waren viel Weiber da

Song: Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista)

Concentus Musicus WienNikolaus Harnoncourt
Released 1971-01-01

Last verified:

DEA807000558 is the International Standard Recording Code (ISRC) for the recording “Matthäus-Passion, BWV 244: Teil II: Evangelista: Und es waren viel Weiber da” by Concentus Musicus Wien, Nikolaus Harnoncourt, released 1971-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A80Registrant
70Year (1970)
00558Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1970):
Last two digits of the reference year (1970). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Matthäus-Passion, BWV 244: Teil II: Evangelista: Und es waren viel Weiber da" by Concentus Musicus Wien?
The ISRC for "Matthäus-Passion, BWV 244: Teil II: Evangelista: Und es waren viel Weiber da" by Concentus Musicus Wien, Nikolaus Harnoncourt is DEA807000558.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA807000558?

DEA807000558 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Matthäus-Passion, BWV 244: Teil II: Evangelista: Und es waren viel Weiber da” by Concentus Musicus Wien, Nikolaus Harnoncourt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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