ISRC
Cantata, BWV 58 "Ach Gott, wie manches Herzeleid": II. Recitativo (Basso) "Verfolgt dich gleich die arge Welt"
Song: Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": II. Recitativo (Basso) "Verfolgt dich gleich die arge Welt"
Last verified:
DEA807503702 is the International Standard Recording Code (ISRC) for the recording “Cantata, BWV 58 "Ach Gott, wie manches Herzeleid": II. Recitativo (Basso) "Verfolgt dich gleich die arge Welt"” by Ruud van der Meer, Concentus Musicus Wien, Nikolaus Harnoncourt, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
DEA807503702 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Cantata, BWV 58 "Ach Gott, wie manches Herzeleid": II. Recitativo (Basso) "Verfolgt dich gleich die arge Welt"” by Ruud van der Meer, Concentus Musicus Wien, Nikolaus Harnoncourt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Concentus Musicus Wien, Nikolaus Harnoncourt
DEF056502289Alice Harnoncourt, Concentus Musicus Wien, Nikolaus Harnoncourt
DEA806700202Concentus Musicus Wien, Nikolaus Harnoncourt
USBC10900725Arnold Schönberg Chor, Christine Schäfer, Nikolaus Harnoncourt, Concentus Musicus Wien
DEE470400107DEA807503702 is the International Standard Recording Code (ISRC) for the recording “Cantata, BWV 58 "Ach Gott, wie manches Herzeleid": II. Recitativo (Basso) "Verfolgt dich gleich die arge Welt"” by Ruud van der Meer, Concentus Musicus Wien, Nikolaus Harnoncourt, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
