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ISRC

DEA807717207

Bisher habt ihr nichts gebeten, BWV 87: No. 7. Choral. "Muß ich sein betrübet?"

Song: Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": VII. Choral "Muß ich sein betrübet"

Concentus Musicus WienNikolaus Harnoncourt
Released 1994-01-01

Last verified:

DEA807717207 is the International Standard Recording Code (ISRC) for the recording “Bisher habt ihr nichts gebeten, BWV 87: No. 7. Choral. "Muß ich sein betrübet?"” by Concentus Musicus Wien, Nikolaus Harnoncourt, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A80Registrant
77Year (1977)
17207Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1977):
Last two digits of the reference year (1977). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Bisher habt ihr nichts gebeten, BWV 87: No. 7. Choral. "Muß ich sein betrübet?"" by Concentus Musicus Wien?
The ISRC for "Bisher habt ihr nichts gebeten, BWV 87: No. 7. Choral. "Muß ich sein betrübet?"" by Concentus Musicus Wien, Nikolaus Harnoncourt is DEA807717207.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA807717207?

DEA807717207 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Bisher habt ihr nichts gebeten, BWV 87: No. 7. Choral. "Muß ich sein betrübet?"” by Concentus Musicus Wien, Nikolaus Harnoncourt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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