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ISRC

DEA808402040

Concerto for horn and orchestra in D major: II. Allegro non troppo

Song: Cadenza for the second movement of Michael Haydn's Horn Concerto MH 134

Dale ClevengerFranz Liszt Chamber OrchestraJános Rolla
Released 1994-01-01

Last verified:

DEA808402040 is the International Standard Recording Code (ISRC) for the recording "Concerto for horn and orchestra in D major: II. Allegro non troppo" by Dale Clevenger, Franz Liszt Chamber Orchestra, János Rolla, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A80Registrant
84Year (1984)
02040Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1984):
Last two digits of the reference year (1984). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Concerto for horn and orchestra in D major: II. Allegro non troppo" by Dale Clevenger?
The ISRC for "Concerto for horn and orchestra in D major: II. Allegro non troppo" by Dale Clevenger, Franz Liszt Chamber Orchestra, János Rolla is DEA808402040.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA808402040?

DEA808402040 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto for horn and orchestra in D major: II. Allegro non troppo" by Dale Clevenger, Franz Liszt Chamber Orchestra, János Rolla. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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